Friday, February 29, 2008

VHONG NAVARRO and VALERIE CONCEPCION in Star Cinema's "Supah Papalicious"

After releasing a number of box-office hits, Vhong Navarro is back with another character that will be remembered alongside with his portrayal of Mr. Suave, Hesus of D Anothers, Agent X44, and Lastikman.

This time, Vhong marks his anticipated return to the big screen in Supah Papalicious.

"Todo na �to! Hinding hindi n'yo makakalimutan ang pelikulang hinahanda namin para sa inyo. Haping hapi na sa akin napunta ang role na 'to dahil tawa ako ng tawa binabasa ko pa lang ang script. Tapos si Manong Gilbert [Perez] pa ang direktor so ineexpect ko ang kakaibang atake sa comedy. Ang gagaling din ng mga kasama ko, si Makisig [Morales] at Valerie [Concepcion]. So kumpletos recados talaga," Vhong points out.

Valerie tries a different route from hosting as she engages in a comedic role via the film Supah Papalicious. "First time kong gumawa ng ganitong kalaking pelikula. I'm deeply honored and thankful sa Star Cinema kasi they gave me a chance to be Vhong's leading lady and takot ako at the same time, super excited dahil comedy naman itong ginagawa ko, something I haven't done before." It was reported in PEP recently that Valerie's contract as a Wowowee host was just renewed and that she is being considered for a role in the remake of Betty La Fea.

Child star Makisig Morales also tries his hand at comedy-with funnyman Vhong Navarro no less. After starring in Super Inggo and Pedro Penduko at mga Engkantao, Makisig is expected to conquer the big screen as well when he makes his debut in Supah Papalicious.


Makisig says enthusiastically: "Grabe po ang blessing na �to ang bata-bata ko pa, alagang-alaga talaga ako ng ABS-CBN at ngayon ng Star Cinema. Tapos si Supah Papalicious pa ang kasama ko. Ang saya saya!"

Star Cinema's comedy flick Supah Papalicious opens in theaters nationwide starting March 22.

Source: pepdotph

CHARO SANTOS-CONCIO Appointed as The New ABS-CBN President

ABS-CBN Chairman and Chief Operations Officer (COO) Gabby Lopez announced during the closing of the giant network's Management Conference at the Camp John Hay in Baguio City on February 29, the appointment of Charo Santos-Concio as the new and the fifth President of ABS-CBN Broadcasting Network, effective March 1, 2008.

The 52-year-old TV executive now holds the distinction of being the first woman president of the giant network. Her predecessors are Eugenio "Geny" Lopez Jr., Freddie Garcia, Eugenio "Gabby" Lopez III, and Cito Alejandro.

Charo, who has been in the Kapamilya network for 20 years now started her career at ABS-CBN on June 24, 1987 as consultant. She then worked as production director, and slowly rose through the ranks, becoming vice president, senior vice president, and executive vice president, which was her last post before her promotion.
Charo also hosts the long-running drama anthology Maalaala Mo Kaya on ABS-CBN.

As president of ABS-CBN, all subsidiaries and divisions will report to her. This includes Studio 23, ANC, Cinema One, ABS-CBN Publishing, Interactive, the PR Group, to name a few.

Gabby Lopez remains as chairman and COO of ABS-CBN.

Nokia desarrolla Morph, movil con nanotecnolog�a



Un tel�fono m�vil de ciencia ficci�n. Este es el concepto que ha llevado Nokia al Museo de Arte Moderno (MoMA) de Nueva York, en la exposici�n �Design and the Elastic Mind�.

Se llama Morph, y se presenta en el v�deo de debajo como un m�vil flexible, transparente y capaz de cambiar de forma y apariencia, entre otras cosas, fruto de los futuros avances que podr�an conseguirse en nanotecnolog�a.

Esa tecnolog�a capaz de dar con dispositivos a escala microsc�pica. Este dise�o de Nokia es todav�a completamente irreal, pero sus primeras aplicaciones podr�an aparecer en terminales de la firma finlandesa dentro de siete a�os.


Este concepto, ideado en el Centro de Investigaci�n de Nokia en colaboraci�n con la Universidad de Cambridge, prev� el uso de energ�a solar y una interfaz completamente t�ctil en un terminal capaz de repelar la suciedad y analizar las part�culas del aire.

Cata's Verhaal...!


De nieuwe Uri Geller...!!!

SBS 6 is al enige tijd op zoek naar de nieuwe Uri Geller....
Wij hebben hem al gevonden

De nieuwe Uri Geller

Freaky Friday Cartoon...

PACMAN Republic

How well do you know the People's Champ?





Thursday, February 28, 2008

Bruselas impone una nueva multa hist�rica de 899 millones a Microsoft




La Comisi�n Europea ha impuesto hoy a Microsoft una nueva multa de 899 millones de euros, la m�s alta de la historia de la UE a una �nica empresa, por cobrar un precio excesivo por la informaci�n que suministra a sus rivales para que puedan fabricar productos compatibles con su sistema operativo Windows.

La sanci�n se a�ade a otras dos que ya ha dictado el Ejecutivo comunitario contra el gigante inform�tico: la primera, en marzo de 2004, por valor de 497 millones de euros por abuso de posici�n dominante; y la segunda, en julio de 2006, que ascendi� a 280,5 millones de euros, por no ofrecer a la competencia suficiente informaci�n sobre interoperabilidad. En total, las multas de Bruselas contra Microsoft ascienden a casi 1.700 millones de euros.

La Comisi�n considera que, al cobrar un precio excesivo por la informaci�n suministrada a sus clientes, Microsoft incumpli� las sanciones impuestas en marzo de 2004, que obligaban a la compa��a de Bill Gates a dar estos datos sobre interoperabilidad "en condiciones razonables y no discriminatorias". El Tribunal de Primera Instancia respald� esta medida correctiva en septiembre de 2007. La empresa corrigi� su comportamiento el 22 de octubre de 2007.

El cambio de filosof�a de Microsoft no fue suficiente

La comisaria de Competencia, Neelie Kroes, ha asegurado que espera que esta multa cierre un "oscuro cap�tulo" en el "historial de incumplimientos" de Microsoft y que en el futuro el gigante inform�tico se comporte de acuerdo con los principios confirmados por el Tribunal de Primera Instancia.

Microsoft anunci� la semana pasada que en el futuro facilitar� a sus rivales toda la informaci�n necesaria sobre la interoperabilidad de sus productos. Sin embargo, la Comisi�n acogi� esta iniciativa con cautela y record� que la empresa de Redmond ya lo hab�a prometido en ocasiones anteriores sin cumplirlo.

El pasado 14 de enero, el Ejecutivo comunitario abri� dos nuevas investigaciones contra Microsoft por abuso de posici�n dominante tras haber recibido sendas quejas de los competidores del gigante inform�tico. El primer caso, denunciado por el Comit� Europeo de Sistemas Interoperables, se refiere a la falta de compatibilidad del programa Office; mientras que la segunda investigaci�n, iniciada a petici�n de la empresa inform�tica noruega Opera, analizar� si es legal incluir el buscador Explorer como parte del sistema operativo Windows.

Pakist�n clausura YouTube por contenidos blasfemos para el islam




El c�lebre portal de v�deos YouTube permanece vetado por las autoridades paquistan�es desde el pasado domingo. El organismo responsable de las telecomunicaciones de Pakist�n, PTA, orden� a los setenta proveedores de internet del pa�s bloquear el acceso de los usuarios a este portal por ofrecer contenidos �blasfemos y ofensivos para el islam�.

Nabiha Mahmood, director de PTA, aclar� que se adopt� esta dr�stica medida tras una reuni�n con responsables del Ministerio de Informaci�n, de Asuntos Religiosos y de Interior en la que concluyeron que �YouTube est� difundiendo el provocativo y blasfemo documental del pol�tico holand�s Geert Wilders�, y no se levantar� el castigo �hasta que no se corrijan estos contenidos�.

Internet se ha extendido con rapidez por Pakist�n y los ciudadanos pueden navegar pr�cticamente sin filtros. Las autoridades parec�an hasta el momento ajenas a los contenidos de la red, pero su decisi�n del domingo lleg� incluso a provocar la ca�da del portal en todo el mundo durante dos horas.

As� lo denunci� la propia compa��a, filial de Google, en un comunicado en el que se�alaban que �el tr�fico a YouTube ha estado enrutado de acuerdo a protocolos de internet err�neos. Hemos determinado que la fuente de estos hechos era una red de Pakist�n. Estamos investigando y trabajando con para prevenir que algo parecido vuelva a pasar�.

Tras los pasos de Van Gogh Geert Wilders es el l�der del ultraderechista Partido por la Libertad (PVV), que cuenta con nueve esca�os. Gran parte de su pol�tica consiste en hacer frente al �tsunami de la islamizaci�n�, que, seg�n sus propias palabras, sufre Europa. Compara el Cor�n con �Mi lucha�, de Adolf Hitler, y asegura que se trata de un libro que �inspira a la gente a hacer las peores cosas�. Con el objetivo de �plasmar estas palabras en im�genes�, anunci� a finales del pasado a�o que ten�a listo un reportaje titulado �La pel�cula del Cor�n�, de menos de diez minutos de duraci�n, y que si no encontraba una televisi�n que lo quisiera emitir, lo colgar�a de forma gratuita en internet.

As� lo ha hecho, y hoy parte del contenido se puede descargar de la red. Algunos medios holandeses califican este trabajo como la segunda parte de �Sumisi�n�, el cortometraje que cost� la vida al director Theo Van Gogh, asesinado por un integrista isl�mico, y el exilio a la escritora Ayaan Irsi Ali.

Ya a comienzos de a�o, para evitar problemas, el portal social Facebook retir� dos perfiles del hijo y sucesor de Benazir Bhutto ante la confusi�n creada por declaraciones contrapuestas en dos p�ginas bajo el nombre de Bilawal.

Bulneran Captchas de Google y de Microsoft Windows Live Mail



Han ca�do los sistemas de protecci�n que utiliza Google y Windows Live Mail (este la semana pasada) para evitar el uso de bots que permitan crear cuentas autom�ticas en cualquiera de los servicios.

Estos captchas son verificaciones para asegurarse que quien est� introduciendo los datos en los formularios son personas: im�genes distorsionadas cuyos datos hay que introducir en un formulario (o bien sistema de voz para que sea accesible).

Esto ha ocurrido por la gente que est� moviendo spam, porque suele ser complicado que los dominios de gmail o hotmail est�n en alguna lista negra y poder usar las mismas direcciones para poder mandarlo.

Otro detalle importante es que gmail no mete informaci�n de cabeceras en los mails que manda, con lo cual, para el spammer, miel sobre hojuelas.

El spam debe de mover much�simo dinero para que se molesten en analizar este tipo de sistemas.

PACQUIAO - MARQUEZ 2: Unfinished Business on GMA 7

Ang pinakahihintay na boxing spectacle ng taon ay ipapalabas nga­yong Marso sa GMA Network sa pamamagitan ng muling pagsasanib pwersa ng Kapuso Channel at ng Solar Sports.

Ieere ng GMA Network ang rematch nina Manny �The Pacman� Pacquiao at Juan Manuel �Dinamita� Marquez sa Marso 16 (Linggo, Philippine Time) nang 10:00 a.m. mula sa Mandalay Bay Resort and Casino sa Las Vegas, Nevada, USA.

Si Paquiao ay 29 y/o, 5�6�� ang taas at may 45 wins, 3 losses, 2 draw, 34 KO�s.

Si Marquez ay 34 y/o, 5�7� ang taas at may 48 wins, 3 losses, 1 draw, 35 KO�s.

Ang radio grupo ng GMA -- Super Radyo DZBB, Barangay LS-FM, at ang lahat ng RGMA radio stations sa bansa ay magbibigay ng live blow-by-blow account ng laban.

Pinamagatang PACQUIAO-MARQUEZ 2: UNFINISHED BUSINESS, inaasahang sa labang ito ay aapaw ang aksyon at ring drama na ihahandog ng dalawang pinakamagaling na super featherweights sa kasaysayan ng boxing.

Kontrobersyal ang unang pagtatagpo nina Pacquiao at Marquez na nagtapos sa draw apat na taon na ang nakakaraan.

Nagkaroon ang GMA Network at Solar Sports ng press conference kahapon nang tanghali sa 17th floor ng GMA Network Center.

Sina GMA Network EVP at Chief Operating Officer Gilberto Duavit Jr., Solar Entertaiment President Wilson Tieng, at Solar Entertainment COO Peter Chan Liong ang nanguna sa contract signing ceremony.

Sabi ni Wilson Tieng, hindi pa tiyak kung sino ang aawit ng Lupang Hinirang sa laban na ito ni Pacquiao.

�He�s entertaining si­ngers for auditions. I don�t know how he�ll do it,� sambit ni Wilson Tieng. �May short list na kami pero ayaw naming i-divulge. Baka magkaroon ng gulo gaya ng dati.

�Sabi ng candidates, huwag i-leak sa press ang pangalan nila.�

Na-phone patch si Pacquiao sa presscon at aniya, �Unang-una mara­ming salamat sa Mahal na Panginoon para sa ibi­nibigay niyang la­­kas sa akin sa araw-araw. Maraming salamat din sa lahat ng sumusuporta sa akin!�

Sa ngayon ay 135 lbs. na raw ang timbang ni Pacquiao. Kailangan pa niyang magbawas ng 5 pounds, at magagawa naman daw niya iyon.

�Ito ang pinakama­tinding pag-eensayo ko sa buong career ko sa Amerika,� sabi pa ni Pacquiao.

�Everyday, nakaka-33 hanggang 36 rounds ako. Dati, sa training ko, hanggang 20 rounds ako.�

Panay-panay rin daw ang pagtakbo ni Pacquiao at naikot na nga raw niya ang �Hollywood.�

Source: Jerry Olea, abantedotcom

Wednesday, February 27, 2008

RENDEZ-VOUS WITH FRENCH CINEMA 2008


From left: Ludivine Sagnier as Julie, Clotilde Hesme as Alice and Louis Garrel as Isma�l in
Love Songs / Les Chansons d'amour
Directed by Christophe Honor�, France, 2007; 95m
Photo Credit: IFC

Fifteen Films Premiere at Rendez-Vous with French Cinema 2008, Co-presented by the
Film Society of Lincoln Center and Unifrance USA
, Feb. 29 � March 9.

Many featured guests will attend screenings throughout the series, including directors Charles Burns, Audrey Estrougo, Eric Guirado, Mia Hansen-L�ve, Christophe Honor�, C�dric Klapisch, Nicolas Klotz, Claude Lelouch, No�mie Lvovsky, Richard McGuire, Claude Miller, Emmanual Mouret and Jean-Marc Moutout; actor/directors Sandrine Bonnaire, Sophie Marceau and Anne Le Ny; actor Elsa Zylberstein; writer Elizabeth Perceval-Klotz; and editor Zvetlana Vaynblat.

Academy-Award winner Claude Lelouch will kick off the series on Opening Night by introducing his wry, multifaceted thriller Roman de gare at the Walter Reade Theater, Friday, Feb. 29, at 6:30 p.m. and 9:00 p.m.

Fanny Ardant stars in the film as a best-selling author researching her next crime story. At the same time, a notorious serial killer escapes from prison and Paris hair-dresser Huguette (Audrey Dana), looking to change her destiny, picks up a man at a roadside rest stop. Dana received a C�sar nomination as Best Female Newcomer for her performance in the film.

Several other celebrated French filmmakers return to Rendez-Vous.

L�Auberge Espagnole director C�dric Klapisch presents Paris, an emotional tour of the city through the eyes of a man waiting for a heart transplant, starring Romain Duris and Juliette Binoche.

Writer/director No�mie Lvovsky�s Let�s Dance! offers an original and energetic look at a Holocaust survivor turning 80, and just discovering that his life has not been fully lived.

Christophe Honor� pays tribute to the movie musical in Love Songs, featuring 13 new songs composed by Alex Beaupain and performed by a cast that includes Louis Garrel, Ludivine Sagnier, Chiara Mastroianni and Clotilde Hesme.

The Diving Bell and the Butterfly actor Mathieu Amalric stars in two films in the series, alongside Sagnier, Patrick Bruel, C�cile De France and Julie Depardieu in Claude Miller�s multiple C�sar nominee A Secret and as a troubled corporate psychologist in Nicolas Klotz�s Heartbeat Detector.

And acclaimed actresses Sandrine Bonnaire and Sophie Marceau demonstrate their impressive range by writing, directing, and appearing in a touching documentary memoir of autism, Her Name Is Sabine, and a gritty film noir, Trivial, respectively.

The 2008 edition of Rendez-Vous is not short of new faces and fresh debuts, highlighted by an astonishing collaboration. Six cutting edge comic book artists join together to create Fear(s) of the Dark, a provocative, black-and-white fantasy that weaves horror into science fiction and adds to France�s growing reputation, following The Triplets of Belleville and Persepolis, as a hotbed for animation. 23-year-old director Audrey Estrougo debuts her first film, Ain�t Scared, a captivating, day-in-the-life story that explores racial dynamics and adolescent life in the Parisian housing projects known as �les cit�s.�

Actress Mia Hansen-L�ve steps behind the camera and delivers a refined and heartbreaking vision of a daughter�s reunion with her heroin addicted father, All Is Forgiven.

Rendez-Vous with French Cinema 2008 is sponsored by Soci�t� G�n�rale Private Banking and TV5 Monde with major support from Maison de la France and The Florence Gould Foundation. Additional support comes from agn�s b., LVT Laser Subtitling, Sofitel and the French Cultural Services.


Tickets for Rendez-Vous with French Cinema are on sale Feb. 14 and are available at both the Walter Reade Theater and IFC Center, as well as online at http://www.filmlinc.com/ and http://www.ifccenter.com/.

Tickets for Walter Reade Theater screenings are $12; $8 for Film Society members; $8 for students; and $8 for seniors at weekday screenings before 6 p.m. Tickets for IFC Center screenings are $12 for the general public and $8 for members and seniors all day.

For more information, call the Film Society at (212) 875-5600 or the IFC Center at (212) 924-7771.



SCHEDULE

See below for detailed descriptions of all the films.



Walter Reade Theater

165 West 65th St. close to Amsterdam Avenue


Friday, Feb. 29

1:00 pm Let�s Dance!, 100m

3:30 pm Heartbeat Detector, 144m

6:30 pm Roman de gare, 103m

9:00 pm Roman de gare


Saturday, March 1

1:30 pm Her Name Is Sabine, 85m

3:45 pm A Secret, 105m

6:15 pm Paris, 130m

9:15 pm Let�s Dance!


Sunday, March 2

1:00 pm Love Songs, 95m

3:30 pm Ain�t Scared, 97m

6:00 pm A Secret

8:45 pm Heartbeat Detector



Tuesday, March 4

1:00 pm Love Songs

3:15 pm Paris

6:15 pm Love Songs

8:45 pm The Feelings Factory, 104m


Wednesday, March 5

1:30 pm Ain�t Scared

4:00 pm The Feelings Factory

6:30 pm The Grocer�s Son, 96m

8:45 pm Her Name Is Sabine


Thursday, March 6

1:00 pm Those Who Remain, 94m

3:15 pm The Grocer�s Son

8:15 pm Trivial, 103m


Friday, March 7

1:30 pm Trivial

4:00 pm Shall We Kiss?, 100m

6:30 pm The Grocer�s Son

8:45 pm All Is Forgiven, 105m


Saturday, March 8

1:30 pm Shall We Kiss?

4:00 pm All Is Forgiven

6:30 pm Those Who Remain

9:00 pm Fear(s) of the Dark, 78m


Sunday, March 9

1:30 pm Fear(s) of the Dark

3:45 pm Those Who Remain

6:15 pm The Feelings Factory

8:45 pm Shall We Kiss?


IFC Center

323 Sixth Ave. at West 3rd Street


Friday, Feb. 29

7:30 pm A Secret


Saturday, March 1

1:45 pm Those Who Remain

3:45 pm Heartbeat Detector

7:00 pm Roman de gare

9:30 pm Fear(s) of the Dark


Sunday, March 2

1:00 pm Let�s Dance

3:30 pm Her Name Is Sabine

5:45 pm Paris

8:45 pm The Feelings Factory


Monday, March 3

7:30 pm Love Songs

Tuesday, March 4

7:00 pm The Grocer�s Son

9:30 pm Ain�t Scared


Wednesday, March 5

7:30 pm Trivial


Thursday, March 6

7:00 pm Shall We Kiss?

9:30 pm All Is Forgiven


Detailed Program and Schedule Information


OPENING NIGHT

Roman de gare

Claude Lelouch, France, 2007; 103m

Walter Reade Theater: Fri Feb 29: 6:30 pm and 9:00 pm

IFC Center: Sat Mar 1: 7:00pm



Bestselling author Judith Ralitzer (the wonderful Fanny Ardant) is being interrogated by the police because of some uncomfortable similarities between events in her novels and the actions of The Magician, a serial killer known for luring victims with card tricks and sleight-of-hand. Cut to a highway, where, after being abandoned by her boyfriend, Huguette (Audrey Dana) sees a man (Dominique Pinon) at a roadside rest stop performing card tricks for kids. He offers her a ride, and she thinks he might make a fine substitute for the boyfriend she was supposed to be bringing home to the family. These and several other stories cross, criss-cross and come back for more in Claude Lelouch�s extremely wry, intriguing thriller of mixed identities and thwarted ambitions�a wonderful return to form for Lelouch, with a lovely soundtrack featuring the chansons of Gilbert B�caud.


Ain�t Scared / Regarde-moi

Audrey Estrougo, France, 2007; 97m

WRT: Sun Mar 2: 3:30; Wed Mar 5: 1:30pm

IFC: Tue Mar 4: 9:30pm


An astonishing debut for 23-year-old director Audrey Estrougo, Ain�t Scared chronicles one day in the emotional life of a Parisian housing project. Its focus is a group of young people, each of whom tries in his own way to express deep feelings for someone else while simultaneously-more- maintaining the hard emotional shells needed to survive in these mean streets. Especially after the disturbances of 2005, the Parisian suburbs�the ring of housing projects known as �les cit�s� that surround Paris�have been much discussed, yet rarely has anyone offered such a close-up sense of their daily life. Estrougo, who grew up in a housing project, also explores the racial dynamics that are very much part of this world, detailing the special codes and practices young men and women follow. Estrougo�s cast, chosen largely from residents of les cit�s, gives her film a remarkable authenticity.


All Is Forgiven / Tout est pardonn�

Mia Hansen-L�ve, France, 2007; 105m

WRT: Fri Mar 7: 8:45pm; Sat Mar 8: 4:00pm

IFC: Thu Mar 6: 9:30pm


Actress Mia Hansen-L�ve�s feature directorial debut is a film of the rarest delicacy, an altogether remarkable expression of evanescent joy and sadness, achieved through the simplest of means. The story begins in Vienna, where a French writer named Victor (Paul Blain, whose haunted eyes make him a dead ringer for his father G�rard) finds it increasingly difficult to cope with life, and retreats from his Austrian wife Annette (Marie-Christine Friedrich) and their young daughter Pamela (Victoire Rousseau) into the anxious dissipation of heroin addiction. At which point the film does not so much advance as gently shift to Paris, 11 years later, where we encounter Pamela as a quietly self-possessed young teenager (Constance Rousseau, an incandescent first-time actress), as she begins to reconnect with her long lost father. Unlike almost every other first-time director in current cinema, Hansen-L�ve (known to American audiences for her appearances as an actress in Olivier Assayas� Les Destin�es and Late August, Early September) trusts in her story, her settings, and her actors. She has a lovely and winning patience as a director, which gives the final passages of All Is Forgiven a heartbreaking beauty. The co-winner of the 2007 Prix Louis Delluc for Best First Film.


Fear(s) of the Dark / Peur(s) du noir

Blutch, Charles Burns, Marie Caillou, Pierre Di Sciullo, Lorenzo Mattotti & Richard McGuire, France, 2008; 78m

WRT: Sat Mar 8: 9:00pm; Sun Mar 9: 1:30pm

IFC: Sat Mar 1: 9:30pm


As seen most recently in Persepolis, animation has become an important part of contemporary French film and visual culture, as it has in so many countries. Six cutting edge comic book artists joined together to make this unnerving, provocative work, shot in shimmering black and white and filled with images and ideas guaranteed to make at least a few of your neck hairs-more- stand on end. Rather than compiling six short films, Fear(s) of the Dark allows each of its tales�which range from sci-fi to horror to the fantastic�to move in and out of the others in a dreamlike fashion. Direct from its world premiere at Sundance, Fear(s) of the Dark is not for the squeamish, but not to be missed.


The Feelings Factory / La Fabrique des sentiments

Jean-Marc Moutout, France, 2008; 104m

WRT: Tue Mar 4: 8:45pm; Wed Mar 5: 4:00pm; Sun Mar 9: 6:15pm

IFC: Sun Mar 2: 8:45pm


Attractive, educated and successful, �lo�se (Elsa Zylberstein) has it all�except for a stable, long-term romantic relationship. Now in her mid-30s, she can hear a certain clock ticking loudly. So she enrolls in a speed dating program. Seven men, seven women, pre-screened for compatibility. You have seven minutes to take the measure of each other before you both move on to other candidates. The Feelings Factory is a remarkable look at one variation of modern romance, a streamlined notion of courtship that gets past all the awkward preliminaries that seem to capsize such encounters. Zylberstein is perfect in the role: her self-assurance and intelligence�not to mention her sense of humor�can always be felt, even as she reveals bits of her needs and vulnerabilities to potential suitors. With Bruno Putzulu and Jacques Bonnaff�.


The Grocer�s Son / Le Fils de l��picier

Eric Guirado, France, 2007; 96m

WRT: Wed Mar 5: 6:30pm; Thu Mar 6: 3:15pm; Fri Mar 7: 6:30pm

IFC: Tue Mar 4: 7:00pm


Hitting 30 and still not settled into a job or a relationship, Antoine (Nicolas Cazal�) heads home after his father has a heart attack. It falls to him to take over the family business: a mobile grocery story that travels around the south of France. Uncomfortably settling back into his old homestead, Antoine brings everything from eggs to laundry soap to the mainly elderly inhabitants of tiny rural hamlets, many no bigger than a dozen houses and a church. Accompanying him on some of his rounds is Claire, a friend from Paris interested in a break from her studies�and possibly in Antoine as well. A surprise box-office hit last summer in France, this sensitive, quietly observant film captures the texture of a vanishing world barely still in existence in this time of super-stores and the Internet. Cazal� is terrific, creating a moving portrait of a young man who has rejected his roots while not having found a real alternative to them.

Heartbeat Detector / La Question humaine

Nicolas Klotz, France, 2007; 144m

WRT: Fri Feb 29: 3:30pm; Sun Mar 2: 8:45pm

IFC: Sat Mar 1: 3:45pm


Mathieu Amalric plays Simon Kessel, an in-house psychologist for a giant Franco-German chemical company. The upper brass, represented by Karl Rose (Jean-Pierre Kalfon), gives Simon a special assignment: to prepare an assessment of the local Parisian company manager, Mathias J�st (Michael Lonsdale, superb), who they claim has been acting strangely. Simon attempts to establish a rapport with J�st through his love of music, but the more he burrows into J�st�s background, the more shocked he becomes at the company�s past, reaching back to its conduct during the war. Adapted from the novel by Fran�ois Emmanuel by director Nicolas Klotz and Elisabeth Perceval, Heartbeat Detector offers a chilling look at how the structures of modern big business are often built on buried crimes.


Her Name Is Sabine / Elle s�appelle Sabine

Sandrine Bonnaire, France, 2007; 85m

WRT: Sat Mar 1: 1:30pm; Wed Mar 5: 8:45pm

IFC: Sun Mar 2: 3:30pm


Sandrine Bonnaire first burst into prominence with her heartbreaking performance in Maurice Pialat�s � nos amours. Since then, she�s worked with Agn�s Varda, Jacques Rivette, Claude Chabrol and many other top-tier French directors. But throughout her acting career, Bonnaire has also been filming her younger sister, Sabine. Called crazy by her schoolmates and diagnosed as problematic by the authorities, Sabine moved in and out of schools until, in her late 20s, she was put in a mental institution. Bonnaire�s very moving, enlightening film finds Sabine at 38, living in an adult care facility after having finally been diagnosed as autistic five years earlier. An expos� of the ignorance that has plagued the treatment of autism, the film is even more centrally about the relationship between Sandrine and Sabine�the care, the closeness, the feelings of guilt and especially the frustration as one sister feels helpless to stop the other�s decline.


Let�s Dance! / Fait que �a danse!

No�mie Lvovsky, France/Switzerland, 2007; 100m

WRT: Fri Feb 29: 1:00pm; Sat Mar 1: 9:15pm

IFC: Sun Mar 2: 1:00pm


One of the finest talents of her generation, writer-director (and occasional actress) No�mie Lvovsky makes in Let�s Dance! one of the most original studies of older characters seen in years. Her new film centers around Salomon Bellinsky (Jean-Pierre Marielle), a Holocaust survivor just-more- about to turn 80. He separated from his wife Genevieve (Bulle Ogier) years ago, but the two maintain a perfectly cordial relationship�that is, until recently, when it�s become increasingly clear that Genevieve�s mind is going. Salomon knows that the end is coming, but he knows just as well that it hasn�t arrived yet�something that is especially clear once Violette (Sabine Az�ma) becomes part of his life. Meanwhile, Salomon and Genevieve�s daughter, Sarah (Valeria Bruni-Tedeschi), just can�t seem to settle down, and she wonders if having a baby might help. The performances are all first-rate, and the stories of each character move seamlessly through each other, providing accents and insights to what we�ve seen.


Love Songs / Les Chansons d�amour

Christophe Honor�, France, 2007; 95m

Sun Mar 2: 1:00pm; Tue Mar 4: 1:00pm and 6:15pm

IFC: Mon Mar 3: 7:30pm


One of the most promising directorial talents in France, Christophe Honor� again defies expectations with this bold, affecting look at a group of twenty-somethings in contemporary Paris. Ismael (Louis Garrel) has slipped into a comfortable m�nage � trois with his longtime girlfriend Julie (Ludivine Sagnier) and his co-worker Alice (Clotilde Hesme). After a sudden tragedy, these young people must deal not only with the reality of loss but also with the fear that love might never return. For Ismael, that process will lead him to Erwann (Gr�goire Leprince-Ringuet), a college student whose affection and innocence might offer Ismael another kind of future. Buoyed by 13 songs composed by Alex Beaupain and ably performed by the cast, Love Songs powerfully captures the welter of emotions through which these characters pass, creating a decidedly contemporary update to the film musicals Honor� so clearly admires.


Paris

C�dric Klapisch, France, 2008; 130m

WRT: Sat Mar 1: 6:15pm; Tue Mar 4: 3:15pm

IFC: Sun Mar 2: 5:45pm


While waiting for a heart transplant that could save his life, Pierre (Romain Duris) has his world invaded by his sister Elise (Juliette Binoche) and her three children. The growing awareness of his impending mortality, as well as the re-discovery of his sister and her life, gives Pierre a very different sense of how he might spend the time still left to him. Meanwhile, a respected professor, Roland Verneuil (Fabrice Luchini), hopes for one more great romance in his life, while a vendor at an open-air market (Albert Dupontel), wonders what life is left for him now that he�s split from his wife�even though they continue to work together each day. A cinematic love letter to the city that seems to hide a story behind every shop window, small alley, street market or grand apartment building.

A Secret / Un secret

Claude Miller, France, 2007; 105m

WRT: Sat Mar 1: 3:45pm; Sun Mar 2: 6:00pm

IFC: Fri Feb 29: 7:30pm


As a child in the �50s, Fran�ois could never live up to the expectations of his robust, gymnast father. Frail and sickly, he was sure that somehow he didn�t belong, that there was something amiss with his otherwise picture-perfect family. When a neighbor tells Fran�ois the secret behind his family, the film transports us back to months right before the outbreak of the war. It was a moment in which France�s Jewish community was divided between those who believed that a German invasion would spell disaster and those who believed their �Frenchness� would protect them. Adapting Philippe Grimbert�s novel (soon to be published in the U.S.), Claude Miller (with Natalie Carter) employs a complex flashback structure that also features sequences set in 1985 to show how the tides of history and family memory continue to affect the present. A Secret shared the award for Best Film at the 2007 Montreal World Film Festival and was a major box-office success in France last year. With Mathieu Amalric, Ludovine Sagnier, C�cile De France, Julie Depardieu and Patrick Bruel.


Shall We Kiss? / Un baiser s�il vous pla�t

Emmanuel Mouret, France, 2007; 100m

WRT: Fri Mar 7: 4:00pm; Sat Mar 8: 1:30pm; Sun Mar 9: 8:45pm

IFC: Thu Mar 6: 7:00pm


Gabriel (Micha�l Cohen) and �milie (Julie Gayet) meet on the streets of a provincial capital. He offers her a ride, and the ride turns into a pleasant dinner with clearly romantic overtones. But when Gabriel attempts to plant a good night kiss, �milie pulls back�even one kiss, she admonishes him, can have unexpected consequences. Cut to �milie�s friends in Paris, Judith (Virginie Ledoyen) and Nicolas (director Emmanuel Mouret), and the story of her reluctance to accept even just one kiss. Wry, observant and also quite touching, Shall We Kiss? is a very contemporary meditation on the wages of infidelity. Mouret�s intelligent, successful characters deluge their emotions and instincts with very open speculation as to why they�re doing what they�re doing, trying to appear as if they�re in control while it�s clear to everyone else they haven�t been for a while.


Those Who Remain / Ceux qui restent

Anne Le Ny, France, 2007; 94m

WRT: Thu Mar 6: 1:00pm; Sat Mar 8: 6:30pm; Sun Mar 9: 3:45pm

IFC: Sat Mar 1: 1:45pm


Every afternoon, Bertrand (Vincent Lindon), a high school German teacher, goes to visit his wife in the cancer ward of a local hospital. He meets Lorraine (Emmanuelle Devos), a graphic artist whose boyfriend is a patient on the same ward. Gradually, the two share coffees and sneak rooftop smokes. Each grows dependent on the other�s support as their lives become increasingly haunted by the specter of impending death. Veteran character actress Anne Le Ny makes an extraordinarily impressive debut as a writer-director with Those Who Remain. Her rendering of her two lead characters is fresh and supple, revealing the full range of needs each feels along with their lingering guilt just for being healthy.


Trivial / La Disparue de Deauville

Sophie Marceau, France, 2007; 103m

WRT: Thu Mar 6: 8:15pm; Fri Mar 7: 1:30pm

IFC: Wed Mar 5: 7:30pm


Since the suicide of his wife, detective Jacques Renard (Christophe Lambert) hasn�t been able to pull it together, each day seemingly as much of a drudge as the day before. When a mysterious woman advises him to check out the Hotel Riviera in Deauville, Renard discovers that the hotel�s owner, Antoine B�rang�re (Robert Hossein), has been missing for two days, according to Antoine�s son and wheelchair bound second wife (Marie-Christine Barrault). A terribly disfigured corpse turns up at the local morgue, and the police and the family declare the mystery of Antoine�s disappearance solved�but Renard�s not buying it. Sophie Marceau, one of France�s most popular actresses, devises for her second film as a director an intriguing thriller filled with supernatural overtones gleaned from a century of movie mysteries. Each time the movie�s direction appears to be clear, it unexpectedly veers off into uncharted territory.

TONIGHT - PETE SEEGER: THE POWER OF SONG


This is a terrific film, reviewed earlier here in tattoowesleywhen it played at the Tribeca Film Festival. It's on tonight on channel 13 at 9 PM in NY and possibly other channels in other places.


Don't miss it if you love music, the history of modern America, or just enjoy a good time.

NASA y BNSC planean implementar comunicacion movil en la Luna

La NASA junto con la agencia espacial brit�nica (BNSC), planean poner en la �rbita lunar un sat�lite de telecomunicaciones para dar cobertura a los futuros colonos que habitar�n la Luna en la base que la NASA planea construir en el polo sur lunar all� por el 2020.

Se piensa dar la posibilidad de comunicaci�n a los colonos para que puedan comunicarse entre s�, entre los colonos y la base lunar e incluso comunicarse con la Tierra y se espera que haya uno o dos sat�lites dando cobertura al polo sur lunar y luego ampliar la infraestructura a todo el astro.

El inicio de la misi�n se producir� en el 2012 con el nombre de Nasa/BNSC MoonLite y se probar� un prototipo de este sat�lite, que est� basado en la red de comunicaciones Inmarsat.

Computaci�n Cu�ntica Sobrevalorada



Seg�n Scott Aaronson, las posibilidades de la computaci�n cu�ntica est�n muy sobrevaloradas (texto original, borrador PDF en ingl�s).


Las part�culas subat�micas tienen la capacidad de encontrarse en todos los estados posibles a la vez, lo que aplicado a la computaci�n significa que ser�a posible hacer un ordenador capaz de analizar a la vez todas las posibles soluciones de un problema; una suerte de paralelismo supermasivo que tiene su aplicaci�n en el algoritmo de factorizaci�n de Shor, que cuando sea posible implementarlo permitir� romper la criptograf�a RSA. Sin embargo, Aaronson cree que estamos siendo demasiado optimistas.


Seg�n sus c�lculos, la mejora m�xima que puede ofrecer un ordenador cu�ntico es del orden de la ra�z cuadrada; es decir, si un problema necesita explorar 10.000 posibilidades, un ordenador cu�ntico solo necesitar� explorar 100; evidentemente, es una mejora espectacular, pero muy lejos de lo que se nos ha prometido.


Adem�s, Aaronson cree que la computaci�n cu�ntica solo se podr� aplicar a algunos tipos concretos de problemas, es decir, no ser� una t�cnica de uso general.

Movistar desarrolla escritorio para Linux



Por alguna extra�a raz�n, uno siempre hab�a cre�do que utilizar los m�dems externos que ofrecen las operadoras desde Linux ser�a una tarea complicada y farragosa. Bueno, m�s que por una extra�a raz�n m�s bien porque no suelen ofrecer el software necesario para que estos funcionen a la primera.

Por ello, se queda uno sorprendido agradablemente al descubrir Escritorio Movistar para Linux. Esta aplicaci�n, similar a las existentes para Windows y Mac OS X, nos permitir� gestionar nuestra conexi�n a trav�s del m�dem o de tel�fonos conectados al ordenador.

Tambi�n permite el env�o de SMS y MMS y el control del consumo que hacemos, avis�ndonos cuando hayamos descargado una cierta cantidad de datos que podemos predefinir, de forma que podamos mantener a ralla nuestra factura de datos.

Est� disponible para Ubuntu Gutsy, OpenSuse y Fedora Core 8, aunque en breve tienen previsto lanzar paquetes que funcionen en m�s distribuciones.

DARK MATTER





Ye Liu as Liu Xing, Meryl Streep as Joanna Silver and Aidan Quinn as Jacob Reiser
in Dark Matter
Directed by Chen Shi-zheng, US, 2007
Photo Credit: Matthew Margo
lin




Dark Matter, the film directed by Shi-Zheng Chen, (who has a background in opera) is a well-made, well acted, (almost operatic in a way), dramatic exploration of a brilliant Chinese student coming to study for his PhD in cosmology at a prestigious university in California.

Meryl Streep, as a woman dedicated to helping Chinese students adjust to their new cultural environment, Aidan Quinn, as an insensitive, even ruthless professor, and Ye Liu, the star, as the Chinese student, are all superior. The atmosphere and environment of the college campus and research power-group, and the portrayal of how the foreign, Chinese students encounter this different culture are especially vivid and richly conveyed.

But I have a problem... a big problem with the film.

WARNING! SPOILER ALERT! THIS POST CONTAINS SPOILERS!

If you have a chance to see the film, I strongly suggest seeing it knowing as little about it as possible. So if you have any chance to see the film, don't read the rest of this post! (Till after...)

WARNING! SPOILER ALERT! THIS POST CONTAINS SPOILERS!


The film is based, (or perhaps inspired, rather than actually based) on one (or more) cases where a brilliant student went "berserk" and started killing people on a college campus.

The problem I have with this film is that for all the brilliance with which the main character is presented (by the writing, direction, and acting); and all the brilliance with which the other characters and the dis-orienting, dis-spiriting, cultural dislocation and scientific disillusionment is presented (by the writing, direction, and acting); and all the charms and brilliance of the film-making; what is left out, I believe, is the heart of what really happens in this kind of tragedy.

I simply do not believe that a brilliant, competitive student turns to indiscriminate murder and suicide without significant warning.

Now, the people who appear in this movie may not have had warning. Madness is not visible to everyone. But when a person is seriously, seriously disturbed, there are very clear signs when you look in the right place.

So the problem with the film, for me, is that it does not actually explore or reveal the essense of the student's problem. It shows only the superficial, visible signs of the small problems, the irritations, the prods to his psyche, which do not add up to enough to explain the student's actions -- and it does not show the really determinative causes and signs of the student's really big problems.


It's misleading. It suggests the wrong information about the student's madness and violence.

It's a fine outsider's view. It explains nothing.

Microsoft dejara de producir HD DVD



Tras el anuncio de Toshiba, se ha hecho p�blico que Microsoft abandonar� la fabricaci�n de reproductores HD-DVD, de los que hab�a vendido hasta el momento 300.000 unidades como ampliaci�n de su consola Xbox.

Los usuarios de Xbox que adquirieron el reproductor se encuentran ahora con un hardware obsoleto, que en realidad no es capaz de reproducir pel�culas en "full HD" (1080p), ya que la xbox est�ndar tampoco incluye HDMI.

A medida que los juegos de �ltima generaci�n comiencen a incluir texturas en 1080p, los 4.7 Gb del DVD de la Xbox se van a quedar escasos frente a los 27GB del Blu-ray (en capa simple).

Esto por no mencionar que los desarrolladores de juegos tampoco pueden presumir que la Xbox vaya a tener disco duro, lo que viene de serie en la PlayStation 3. Ni disco duro, ni HDMI, ni Blu-ray (d�nde estar�n los que criticaron tanto a Sony por apostar por el futuro y los agoreros del fracaso de la PlayStation 3).

�Corre la Xbox 360 el peligro de seguir el camino de la Xbox original o del Windows Millenium? Parece que s�.

TRANSFORMERS (The Pinoy Version)

Just want to share with you some of Pinoy Transformers which I recently received through e-mail.

Katuwaan lang...

1. Regine Velasquez
Before: Down-to-Earth Songbird
After: Alien-like Diva

2. Bernard Palanca
Before: Lanky member of �The Hunks�
After: A Pregnant Chunk of Lard

3. Kim Delos Santos
Before: The Cute-as-Marshmallows Love Interest of Dino Guevarra
After: The Marshmallow Woman / Battered Wife of Dino Guevarra

4. Aiza Seguerra
Before: Prodigious Little Girl
After: Talented Little Boy

5. Angelica Panganiban
Before: Photogenic Missy
After: Photoshopped Hussy

6. Jackielou Blanco
Before: Jackielou Blanco
After: Jackie Lou Ferrigno

7. Rosanna Roces
Before: Outspoken Attention-Whore
After: Outsized Carbohydrates-Whore

8. Rachel Lobangco
Before: Dark-Skinned, Mustached Shh-Boom Girl
After: Bleached and Waxed Bombshell

9. Rustom Padilla
Before: Fair-Skinned Matinee Idol
After: Emaciated Fairy Doll

ANGEL LOCSIN Finally Dares to Bare in "Cosmopolitan"

Trust Angel Locsin to take everyone by surprise. Despite being a constant fixture on FHM's 100 Sexiest Women in the World poll, Angel has chosen to pose in a swimsuit for the very first time on the cover of Cosmopolitan magazine.

"First time ko �to," she told the Cosmo team during the shoot, "I hope it turns out well. Inisip ko kasi, if gagawin ko �to, it might as well be on Cosmo." After all, posing for Cosmo would mean reaching fun fearless females like herself.

Despite being one of the biggest names in the industry today, Angel was surprisingly shy at the Cosmo cover shoot, getting quite jittery over the sexy summer shoot and clowning around with the Cosmo team just to loosen up. The jitters don't show in Angel's confident pose, as she says, "Lahat naman tayong mga babae, may body issues, di ba? But you should be happy with your body and comfortable in your own skin."

For Angel, being comfortable in your own skin shows in the way you carry yourself. She encourages Cosmo girls everywhere to make an effort to always look presentable and even dare to be kikay.

"Iba rin yung feeling �pag nakaayos kapag lalabas ka't alam mong okay ang itsura mo, ready kang harapin kahit sino." Angel points out, "It's great to be in jeans and T-shirt, but it's also great to be in a dress."

Angel continues to strive towards becoming a better version of herself by branching out of her comfort zone. Since 2007, she has taken time off to study fashion in London, become a first-time producer with the movie Angels, and is now learning how to play the guitar. "You have to keep on learning," she says, "You shouldn't get complacent." Clearly, Angel has become a woman of substance.

Angel sizzles on the cover of Cosmopolitan's March issue, now available in all newsstands and magazine stores nationwide at P125 per copy.

Source: Ingrid Villafuerte, pepdotph

Tuesday, February 26, 2008

MANDY MOORE: I�m Older & Wiser

When Mandy Moore comes for a concert at the Eastwood City on March 12, it will be, to quote one of her movies, �a walk to remember.� Eastwood City happens to be the home of the one and only Walk of Fame hereabouts, the Philippine counterpart of the Hollywood Walk of Fame, which is the brainchild of German �Kuya Germs� Moreno in cooperation with Wastwood City.

For the event, Eastwood City will transform its outdoor stage into a unique 2,500-seater amphitheater to accommodate the fans of Mandy who has visited the country twice.

As a refresher, Eastwood City sent Funfare this backgrounder:

Born in Nashua, New Hampshire, on April 10, 1984, Mandy has emerged as one of the hottest young stars of today. Since her first CD release with So Real in 1999, Mandy�s career has flourished as she has released even more hit records, starred in several movies (Princess Diaires 1, A Walk to Remember, Saved, Try 17, Chasing Liberty, Americam Dreamz, How to Deal, License to Wed and, coming soon, Because I Said So).

She has released her own clothing line called MBLEM and has reached enormous success with it as her clothes have been sold in stores all across America.

Her new (fifth) CD, called Wild Hope, was released late last year.

Mandy is never too busy to mind the less fortunate. She donated her time to various charities.

Funfare did an exclusive one-on-one with Mandy a few days ago; she was in New York. The STAR (again, the only Philippine broadsheet Mandy talked to) has done two interviews with Mandy. The first was sometime in 2000 when she was just starting as a singer, during the launch of her album Wanna Be With You in Bangkok and then in 2003 when she came to grace the MTV World Music Summit (and also to promote her album Coverage.)

It�s your second time to visit the Philippines. Any fond memories from your first visit?
�Oh, memories! I remember having a chaotic and crazy time at the hotel we were staying in...I remember having a lot of fun...I remember the people being such lovers of music...Well, I just remember really enjoying myself.�

Of course, the Philippines must be memorable to you because of your �special friendship� with a Filipino, pop star Billy Crawford (who once confessed that he briefly went steady with Mandy who confirmed it).

�Oh, yes, yes, I remember Billy. But I haven�t seen or heard from him in a long time. The last time we performed together was years ago, with the *NSYNC. I haven�t talked to him since then.�

I�m sure your fans in the Philippines are eagerly waiting for your concert...

�...Oh, I�m just as excited to sing for them. I�ll be doing songs from my new (fifth) album, Wild Hope, which was released last year. My concert will be a bit different from the last one over there because it shows me going in a different direction. I�m just too excited to share that piece of myself with my fans over there.�

You�ve been performing in concerts and doing movies. Which one are you more comfortable in, singing or acting?
�In singing, I guess...in performing before a �live� audience. There�s nothing more satisfying than seeing your audience enjoy what you are doing and yourself enjoying the whole experience with them. But I do love doing movies, too.�

You write songs, too, don�t you?
�Oh yes, I do!�

How much do you draw from your personal experience when you�re writing songs?
�Subconsciously I do that, I think, just like every other songwriter. You can�t help it.�

Do you write songs better when you�re in love or when you�re out of love?
�You know, it�s easier for me to write songs when I�m not in love. Yes, I do...in my limited experience. Don�t ask me why.�

I�ve seen some of your movies, including A Walk to Remember, Princess Diaries and License to Wed (released recently in the Philippines). You have two more coming soon, Dedication and Southland Tales. In movies, where are you more comfortable, drama or comedy?
�I love doing romantic-comedies because the roles I play are close to who I am, and that makes things easier for me. I play one of those roles in Because I Said So, one of my new movies.�

Who among the actresses do you admire?
�There are a couple of people out there, especially young actresses, people like, uh, Reese Witherspoon. I love the fact that she can do really big mainstream films and kind of go up and do quirky little independent films. She�s loved in both kinds of roles. She�s my role model.�

In an interview published in a recent issue of Jane magazine, you revealed that you went through a period of depression and you arrtibuted it to your split-up with Zach Braff, star of Scrubs. (According to Jane, while promoting his new film, The Last Kiss, Braff opened up about the troubles of dating in Hollywood, saying that his break-up with Mandy in 2006 was due in part to their nine-year age difference and that the scrutiny put on celebrities can be overwhelming. �A relationship is hard, doing it in the public eyes is something that�s very new to me, I was a waiter five years ago and when I was a waiter nobody was telling lies about me in the tabloids. But it�s par for the course.�)

(Mandy was quoted by Jane as saying): �A few months ago, I felt really low, really sad � depressed for no reason. The break-up added to what I was going through, but it�s not the complete reason.�

How do you cope with a broken heart?
�Hmmmm...I guess I just surround myself with people I love and who love me, no matter what. Or I spend some time just being by myself. That helps, I guess.�

By the way, how did you spend Valentine�s Day?
�Alone...at home.�

Do you find it difficult to combine your career and your love life?
�No, not really. I would I say I don�t find it any more difficult than anybody else would. It�s all about prioritizing and finding equal time for both.�

As far as dating and courtship are concerned, are you the old-fashioned type?
�Hmmmm...A bit old-fasioned and a bit modern. But I don�t find doing my fair share when I�m out on a date.�

You�re 23 and you�ve have gone through a lot of things since you were 15 when you entered showbiz. How different are you now from what you were then?
�Hmmmm...good question. Let me see...Yes, I�m older and wiser. I�ve met new friends and wonderful people in my life. I�ve done things that I�m really proud of. I�ve been through ups and downs but, yes, I�m good!�

(Note: Mandy Moore Live at Eastwood City will be held on March 12, starting at 7:30 p.m. For ticket inquiries, call 687-1499 or 687-6770 to 74; text 0917-8-EWCITY.)

Source: Ricky Lo, Philstardotcom

FARNSWORTH ALERT! LAST WEEKEND...


One of the best and most interesting shows on Broadway, Aaron Sorkin's
The Farnsworth Invention, directed by Des McAnuff, is closing (sadly) on March 2.

Check out our review! and our preview with more information on the show.

This is the last weekend. Don't miss it!

CAVANKERRY PRESS READING: JOSEPH LEGASPI & RICHARD JEFFREY NEWMAN


RiverSpace Arts and CavanKerry Press

a reading by CavanKerry Poets

Joseph Legaspi: Imago
Richard Jeffrey Newman: The Silence of Men




Thursday, March 6
7:30 pm
RiverSpace Arts
119 Main St.
Nyack, NY 10960




Directions: http://www.riverspace.org/

CavanKerry Press is one of the most interesting, small, independent publishers of important new poetry, printed in exceptionally fine, artistic first editions.

DAVID HERNANDEZ of American Idol 7: Gay Stripper?

An interesting rumor has just surfaced that David Hernandez was a stripper in Phoenix before his time on American Idol. Obviously we're not 100% sure, but here's what we've found so far. After rumors were posted around the internet that David has a steady boyfriend of 2-3 years and that he stripped at Dick's Cabaret, we found pictures of David working at Burn, a gay nightclub that just recently closed in Phoenix. Obviously you don't wear the club's logo if you don't work there. So although we haven't found any pictures of him stripping just yet, we're still on the hunt, and the pictures we found are leading us in the right direction. We'll keep you updated.



Source: votefortheworstdotcom